Top 10 1670Mm Midrange Zoom Len
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Here are some of best sellings 16-70mm mid-range zoom len which we would like to recommend with high customer review ratings to guide you on quality & popularity of each items.
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Sony SEL1670Z Vario-Tessar T E 16-70mm F4 ZA OSS
- Carl Zeiss mid-range zoom lens
- Compatible with E-mount Full Frame cameras and E-mount APS-C cameras
- Minimum Focus Distance : 1.15 ft (0.35 m), Maximum Magnification ratio : 0.23x, Focal Length : 16-70 mm
- High lens technology in a compact body. Filter Diameter (mm) – 55 mm
- Optical Steady Shot image stabilization. Zeiss T anti-reflective coating
- When using a flash, always remove the lens hood and shoot at least 1 m (3.3 feet) away from your subject.Angle of View (APS-C):83°-23°
Product Description
Outstanding contrast and resolution throughout the image area at all zoom settings are the hallmark of this high-performance Carl Zeiss mid-range zoom lens
From the Manufacturer
Vario-Tessar T* E 16-70mm F4 ZA OSS Lens
The latest advances in optical design technology have made it possible to deliver prized Carl Zeiss contrast and clarity in a high-performance mid-range zoom. Four aspherical elements combine with one ED glass element to bring you breathtaking rendering.
Technology
Circular Aperture
When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.
ED (Extra-low Dispersion) glass
As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.
Aspherical lens elements
Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.
Carl Zeiss T* (T-star) coating
Coated optics were pioneered by Carl Zeiss – and this superb lens features the Carl Zeiss T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens – the T* symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality.
Lens-based optical image stabilization
Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.
Additional Features
Internal focusing
Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.
2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, Alpha, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.
Sony – FE 24-105mm F4 G OSS Standard Zoom Lens (SEL24105G/2)
- G-lens design with 4 aspherical and 3 ED glass (extra-low Dispersion) elements, for high corner-to-corner resolving power throughout the entire zoom range
- Constant F4 maximum aperture maintains exposure and depth of field throughout the Zoom range
- 9-Blade circular aperture contributes to beautifully de-focused backgrounds. Format – 35 mm full-frame. Lens Groups / Elements – 14–17
- Minimum focusing distance of just 1. 25 feet provides close-up ability for an expansive range of expression
- Sports Sony’s unique DDSM (direct drive Super-sonic motor system) internal focusing system and a responsive manual focusing ring, for fast, quiet, and precise focusing
Full-frame 24-105mm F4 g lens for SONY Alpha e-mount Cameras
Sony – FE 16-35mm F2.8 GM Wide-angle Zoom Lens (SEL1635GM), Black
- Designed to achieve 50 Line pairs/mm resolving power
- Two XA (extreme aspherical) elements w/ high surface precision. Minimum focus distance – 0.28 m (0.92 ft). Maximum Magnification ratio (x)- 0.19
- Constant F2.8 max aperture maintains exposure and Depth of field. Hood Type : Petal shape, bayonet type
- APERTURE BLADES: 11
- Uncompromising G Master design for smooth bokeh and high resolution. Angle of View (35 mm): 107°–63°
- In-the-box: hood, lens front cap, lens rear cap, case, Mount: Sony E-mount
Explore the world in creative new ways with exceptional g Master performance in a 16-35mm F2.8 wide-angle zoom. This lens delivers consistently superb resolution from corner-to-corner, no matter what zoom setting or focus distance at which you shoot. It produces stunning background bokeh that can add depth and artistic impact to your images when required. A compact, lightweight design makes the FE 16-35mm F2.8 GM a great choice for active shooting.Angle of View (35 mm): 07°–63°
Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens
- 24 70 millimeter focal length, 38.4 112 millimeter equivalent focal length on Canon APS C cameras
- F2.8 constant maximum aperture
- F22 minimum, Ring type ultrasonic type AF motor with full time manual focusing
- 82 millimeter filters, Closest Focusing Distance: 0.38 meter/1.25 feet
- Image Stabilization : No. Focus Adjustment Inner focusing with USM. Diagonal Angle of View 84° 34°. Weight 1.7 pound
- Purchase this product between May 1, 2016 and July 30, 2016 and get 13 months of free damage protection from Canon. The product must be registered within 30 days of the purchase date to be eligible
Meeting the ever-increasing demands on image quality that digital photography brings, the redesigned EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction and performance in professional zoom lenses. A standard focal length zoom lens, it features a large aperture throughout its focal length. Filter size: 82 mm, Closest Focusing Distance: 1.25 feet. Maximum magnification (x) – 0.21(at 70mm)
NIKON 24-85mm F/3.5-4.5G ED VR AF-S Nikkor Lens – White Box
- Engineered for Nikon FX-format DSLRs
- Maximum Angle of View (DX-format): 61°, Minimum Angle of View (DX format): 18°50’, Maximum Angle of View (FX-format): 84°, Minimum Angle of View (FX-format): 28°30’.Focal Length Range : 24 to 85 millimeter, Minimum Focus Distance : 125 feet ( 038 meter)
- 1 Extra low Dispersion (ED) Element. Maximum aperture : f/3.5-4.5. Minimum aperture : f/22-29
- Silent Wave Motor, Internal Focusing
- No. of diaphragm blades 7 (rounded diaphragm opening)
- Nikon VR (Vibration Reduction) Image Stabilization
Product Description
Optical formula optimized for use with Nikon FX-format digital SLRs, provides sharp and high contrast images and HD video from infinity to close up. 36 -127.5mm focal length equivalent when mounted on DX-format D-SLR.
From the Manufacturer
Advanced and versatile FX-format standard zoom with VR II image stabilization.
Covering a versatile wide angle to medium telephoto zoom range, the new AF-S NIKKOR 24–85mm f/3.5-4.5G ED VR delivers noticeably sharper photos and HD videos thanks to Nikon’s second-generation Vibration Reduction technology (VR II). Shoot at shutter speeds up to 4-times slower than would otherwise be possible for greater low-light capability, and enjoy the benefits of Vibration Reduction during HD video recording—even when using a tripod.
Sample Photography
Features:
Vibration Reduction
A Nikon in-lens technology that improves image stability by automatically compensating for camera shake. Lenses that offer VR will feature the abbreviation VR on the lens barrel.
Nikon Silent Wave Motor
A significant innovation in AF lens technology, Nikon’s Silent Wave Motor uses ultrasonic (inaudible) vibrations—rather than a gear system—to focus the lens, providing incredibly smooth, silent and precise autofocus operation.
M/A Focus Mode Switch
When fine manual focusing is needed, simply rotate the lens focus ring—M/A mode allows you to seamlessly override the AF system with virtually no time lag.
AS
AS stands for Aspherical lens elements. This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration.
Super Integrated Coating
Nikon’s Super Integrated Coating enhances light transmission efficiency and offers superior color consistency and reduced lens flare.
ED (Extra-Low Dispersion Glass)
An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.
IF Lens
A NIKKOR lens in which only the internal lens group shifts during focusing. These lenses will be designated with the abbreviation IF on the lens barrel.
Sony SELP18105G E PZ 18-105mm F4 G OSS
- High performance E mount lens with excellent contrast
- Minimum Aperture (F): 22
- Minimum Focus Distance : 1.48 (Wide) 3.12 ft (Tele), Maximum Magnification ratio : 0.11x, Focal Length : 18 105 mm
- Versatile 27 158mm (35mm equiv.) zoom range. Angle of view (APS C): 76° 15°
- Constant F4 maximum aperture throughout the zoom range. Filter diameter (mm):72 mm
- It is recommended that you use a lens hood to reduce flare and ensure maximum image quality.Focal Length (mm) 11/16 4 1/8 35 mm equivalent focal length (APS C) 1 1/16 6 3/16 inches
Product Description
True to its high-end G Lens heritage, the SELP18105G lens features two ED glass elements and three aspherical elements for high resolution and contrast throughout the entire zoom range.
From the Manufacturer
E PZ 18-105mm F4 G OSS Power Zoom Lens
The first Sony G Lens created specifically for E-mount cameras is true to its heritage, achieving outstanding resolution and contrast throughout the zoom range thanks to an advanced optical design incorporating two ED glass elements and three aspherical elements. From wide angle to medium telephoto, this power zoom lens covers approximately a 6x zoom range with a constant F4 aperture.
Technology
Circular Aperture
When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.
ED (Extra-low Dispersion) glass
As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.
Aspherical lens elements
Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.
Lens-based optical image stabilization
Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.
Additional Features
Internal focusing
Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.
2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, Alpha, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.
Sony 16-50mm f/3.5-5.6 OSS Alpha E-Mount Retractable Zoom Lens (Bulk Packaging)
- POWER ZOOM for smooth zooming with superb operability and quietness
- ED glass and Aspherical lens elements for excellent performance with reduced aberrations
- Built-in image stabilization
- This lens is designed for Sony ? camera system E-mount cameras. You cannot use it on A-mount cameras
Compact and lightweight design for excellent portability thanks to retract-ability down to a mere 29.9 mm
Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for Canon SLR Cameras
- EF mount
- telephoto zoom lens
- Ultra low Dispersion glass
- inner focusing
- full time manual focus
- 70 to 200 millimeter focal length, Closest focusing distance: 4.9 feet
- f2.8 constant maximum aperture
- UltraSonic Motor (USM). Compatible with Extender EF 1.4x II and 2x II
Product Description
The Canon EF 70-200mm f/2.8L USM telephoto zoom lens is one of the finest telephoto zoom lenses in the EF line, comparable to a single focal length Lens. It has four ud-glass elements to correct chromatic aberrations. Its constant f/2.8 maximum aperture and superb image quality make it one of the most popular professional SLR Lenses in the world. Compatible with extender EF 1.4x II and 2x II. Features: EF mount; telephoto zoom lens ultra-low dispersion glass; inner focusing; full-time manual focus 70-200mm focal length F2.8 constant maximum apertureultrasonic motor (USM). Diagonal Angle of View: 34 – 12 degrees, Filter size: 77 mm, Closest Focusing Distance: 4.9 feet.
From the Manufacturer
One of the finest telephoto zoom lenses in Canon’s EF line, this 70-200mm f/2.8 lens offers comparable optics to a single focal-length lens. The lens employs four UD-glass elements to minimize chromatic aberrations, creating sharp, high-quality images regardless of the application. The constant f/2.8 maximum aperture, meanwhile, makes the lens extremely popular among professionals. Other features include an inner focusing system with an Ultra Sonic Motor (USM), a 4.9-foot close focusing distance, and a 77mm filter size. The lens–which is compatible with EF 1.4x II and 2x II extenders–carries a one-year warranty.
Specifications
- Focal length: 70-200mm
- Maximum aperture: f/2.8
- Lens construction: 18 elements in 15 groups
- Diagonal angle of view: 34 to 12 degrees
- Focus adjustment: Inner focusing system with USM
- Zoom system: Rotating type
- Closest focusing distance: 4.9 feet
- Filter size: 77mm
- Dimensions: 3.3 inches in diameter and 7.6 inches long
- Weight: 2.9 pounds
- Warranty: 1 year
Canon EF 16-35mm f/2.8L ll USM Zoom Lens for Canon EF Cameras
- 16 35mm ultra wide angle zoom lens with f/2.8 maximum aperture
- 3 high precision aspherical lens elements produce superior image quality, Closest focusing distance: 0.92 feet
- Circular aperture produces natural background blur at wider apertures, Ring type USM for fast and quiet autofocusing
- internal focusing
- Measures 3.5 inches in diameter and 4.4 inches long
- 1 year warranty
From the Manufacturer
Broaden your perspective with the Canon EF 16-35mm ultra-wide-angle zoom lens. Specifically designed for improved edge-to-edge image quality that meets the strict requirements of professional and high-end amateur photographers alike, the lens lets you bring more area into focus while providing greater depth of field. The lens features three high-precision aspherical lens elements–ground, replica, and GMo–that produce even better image quality than the original Canon EF 16-35mm USM lens. The circular aperture, meanwhile, produces a beautiful and natural background blur when shooting at wider apertures. Other details include internal focusing, a ring-type ultra-sonic monitor (USM), and new AF algorithms for fast and quiet autofocusing. The lens carries a one-year warranty.
- Focal length: 16-35mm
- Maximum aperture: f/2.8
- Lens construction: 16 elements in 12 groups
- Diagonal angle of view: 108 degrees (at 10 feet) to 63 degrees
- Focus adjustment: AF with full-time manual
- Closest focusing distance: 0.92 feet
- Filter size: 82mm, P=0.75mm/1 filter
- Dimensions: 3.5 inches in diameter, 4.4 inches long
- Weight: 1.41 pounds
The EF 16-35mm f/2.8L II USM is a high performance, water-resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers. It features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo for even better image quality than the original EF 16-35mm f/2.8L USM. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures. Other features include internal focusing, a ring type USM (Ultra Sonic Monitor), and new AF algorithms for fast and quiet autofocusing.
What’s in the box: Canon EF 16-35mm f/2.8L II USM Autofocus Lens, 82mm Lens Cap, Lens Dust Cap E (Rear), EW-88 Lens Hood for 16-35mm f/2.8L II USM, Lens Case LP1319 and 1-Year Warranty.
Canon EF 24-70mm f/4.0L is USM Standard Zoom Lens (Renewed)
- L Series standard zoom lens delivers superb image quality in a compact, lightweightdesign
- Focal Length & Maximum Aperture: 24–70mm, 1:4, Closest Focusing Distance: 1.25 ft. / 0.38m
- 2 aspheric and 2 UD lens elements for high image quality throughout the entire zoom range
- Full macro shooting mode with up to 0.7x magnification,easily accessible with a one touch switch at the extreme telephoto end, Image stabilization effective up to 4 shutters peed stops and Hybrid IS compensates for both angular and shift types of camera shake for macro shooting
The Canon EF 24-70mm f/4.0L IS USM Standard Zoom Lens is the perfect zoom to complement full-frame DSLRs like the EOS 6D. With 2 aspheric and 2 UD elements, the EF 24-70mm f/4L IS USM delivers high- quality images with excellent detail throughout the entire zoom range. A 9-blade circular diaphragm delivers beautiful, soft backgrounds. It offers a minimum focusing distance of 1.25 ft./0.38m across the entire zoom range and has a macro mode at the telephoto end with up to 0.7x magnification (minimum focusing distance becomes 7.87 in./0.2m) and is easily accessible with a one-touch switch. It features a Hybrid IS system with up to 4 stops of stabilization, compensating for both angular and shift types of camera shake, delivering effective stabilization even in macro. Inner focusing and ring-type USM deliver, fast, quiet AF, and full-time manual focus is available for manual focusing even while in AF mode. The durable EF 24-70mm f/4L IS USM is sealed for excellent dust and water resistance plus has fluorine coating on the front and rear elements reducing smears and fingerprints. Compact and lightweight, it’s the perfect L-series lens for photographers on the go.Features: Hybrid Image Stabilization (IS) – Introducing image stabilization to their 24-70mm L-series lenses, Canon’s Hybrid IS provides four stops of effective shutter speed compensation for both types of camera shake when shooting macro photography: angular and shift. This means you can shoot in dimmer conditions, capturing images with shutter speeds up to four stops slower than would otherwise be possible.Dual UD & Super UD Lens Elements – This lens’ optical design utilizes two Super UD and two UD lens elements to minimize chromatic aberration in the edges of your wide-angle shots. It also eliminates color blurring around the edge of your subjects, for images with greater resolution and contrast.Dual Aspherical Lens Elements – In addition to the UD elements, this lens combines two types of aspherical
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